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  3. 【F1】Material culture refers to the touchable, material "things —physical objects that can be seen, held, felt, used—that a cultu

【F1】Material culture refers to the touchable, material "things —physical objects that can be seen, held, felt, used—that a cultu

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问题 【F1】Material culture refers to the touchable, material "things —physical objects that can be seen, held, felt, used—that a culture produces. Examining a culture’s tools and technology can tell us about the group’s history and way of life. Similarly, research into the material culture of music can help us to understand the music-culture. The most vivid body of "things" in it, of course, are musical instruments.【F2】We cannot hear for ourselves the actual sound of any musical performance before the 1870s when the phonograph was invented, so we rely on instruments for important information about music-cultures in the remote past and their development. Here we have two kinds of evidence: instruments well preserved and instruments pictured in art. Through the study of instruments, as well as paintings, written documents, and so on, we can explore the movement of music from the Near East to China over a thousand years ago, or we can outline the spread of Near Eastern influence to Europe that resulted in the development of most of the instruments on the symphony orchestra.
Sheet music or printed music, too, is material culture. Scholars once defined folk music-cultures as those in which people learn and sing music by ear rather than from print, but research shows mutual influence among oral and written sources during the past few centuries in Europe, Britain and America. Printed versions limit variety because they tend to standardize any song, yet they stimulate people to create new and different songs.【F3】Besides, the ability to read music notation has a far-reaching effect on musicians and, when it becomes widespread, on the music-culture as a whole.
Music is deep-rooted in the cultural background that fosters it. We now pay more and more attention to traditional or ethnic features in folk music and are willing to preserve the folk music as we do with many traditional cultural heritage. Musicians all over the world are busy with recording classic music in their country for the sake of their unique culture.【F4】As always, people’s aspiration will always focus on their individuality rather than universal features that are shared by all cultures alike.
【F5】One more important part of music’s material culture should be singled out: the influence of the electronic media—radio, record player, tape recorder, and television, with the future promising talking and singing computers and other developments. This is all part of the "information-revolution", a twentieth century phenomenon as important as the industrial revolution in the nineteenth. These electronic media are not just limited to modern nations; they have affected music-cultures all over the globe.
【F1】
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答案物质文化指的是那些可以触摸的、物质的“东西”，即某种文化产生的能看到、摸到、感觉到和使用的自然物体。
解析     本文介绍了对于音乐文化研究极具重要性的几种物质文化。第一段：从介绍“物质文化”开始，谈到音乐的第一种物质文化——“乐器”，说明它在音乐文化研究中的作用。第二段：介绍音乐的第二种物质文化——乐谱．及其对音乐文化的影响。第三段：人们现在开始关注保存具有民族特色的音乐。第四段：介绍音乐的第三种物质文化——电子媒体及其对音乐文化的影响。
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