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  3. 　　How best to solve the pollution problems of a city sunk so deep within sulfurous clouds that it was described as hell on earth

　　How best to solve the pollution problems of a city sunk so deep within sulfurous clouds that it was described as hell on earth

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问题 　　How best to solve the pollution problems of a city sunk so deep within sulfurous clouds that it was described as hell on earth? Simply answered: Relocate all urban smoke-creating industry and encircle the metropolis of London with sweetly scented flowers and elegant hedges.
　　In fact, as Christine L. Corton, a Cambridge scholar, reveals in her new book, London Fog, this fragrant anti-smoke scheme was the brainchild of John Evelyn, the 17th-century diarist. King Charles II was said to be much pleased with Evelyn’ s idea, and a bill against the smoky nuisance was duly drafted. Then nothing was done. Nobody at the time, and nobody right up to the middle of the 20th century, was willing to put public health above business interests.
　　And yet it’s a surprise to discover how beloved a feature of London life these multicolored fogs became. A painter, Claude Monet, fleeing besieged Paris in 1870, fell in love with London’ s vaporous, mutating clouds. He looked upon the familiar mist as his reliable collaborator. Visitors from abroad may have delighted in the fog, but homegrown artists lit candles and vainly scrubbed the grime from their gloom-filled studio windows. "Give us light!" Frederic Leighton pleaded to the guests at a Lord Mayor’ s banquet in 1882, begging them to have pity on the poor painter.
　　The more serious side of Corton’ s book documents how business has taken precedence over humanity where London’ s history of pollution is concerned. A prevailing westerly wind meant that those dwelling to the east were always at most risk. Those who could afford it lived elsewhere. The east was abandoned to the underclass. Lord Palmerston spoke up for choking East Enders in the 1850s, pointing a finger at the interests of the furnace owners. A bill was passed, but there was little change. Eventually, another connection was established: between London’ s perpetual veil of smog and its citizens’ cozily smoldering grates. Sadly, popular World War I songs like "Keep the Home Fires Burning" didn’t do much to encourage the adoption of smokeless fuel.
　　It wasn ’t until what came to be known as the "Great Killer Fog" of 1952 that the casualty rate became impossible to ignore and the British press finally took up the cause. It was left to a Member of Parliament to steer the Clean Air Act into law in 1956. Within a few years, even as the war a-gainst pollution was still in its infancy, the dreaded fog began to fade.
　　Corton’ s book combines meticulous social history with a wealth of eccentric detail. Thus we learn that London’ s ubiquitous plane trees were chosen for their shiny, fog-resistant foliage. It’ s discoveries like these that make reading London Fog such an unusual and enlightening experience.
The word "grime" (Para. 3) is closest in meaning to
选项 A、fog.
B、dirt.
C、frost.
D、paint.
答案B
解析 含义题。根据题干关键词定位到第三段。该段第二句提到London’s vaporous，mutating clouds“伦敦蒸汽缭绕、如同变异的雾霭”，再结合第一段的sulfurous clouds“硫磺雾霾”和urban smoke-creating industry“城市里所有制造浓烟的工业”可知，在画室窗上的是煤尘污垢。故B项“污垢；灰尘”为正确答案。A项“雾”、C项“霜”和D项“颜料，涂料；绘画作品”均不符合题意，故排除。
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