2. 外语
  3. 父亲为什么会把我逼到蒙娜丽莎面前，并且给我听交响乐?我想这是那种叫做命运的东西。到了27岁，我才敢向他提起这个问题(以前我甚至怕提到这个女人的名字)。他说肖邦是好东西，当我号啕大哭，他就是要把我一个人关在屋子里听肖邦。那时周围没有人家像我们一样拥有唱机和电

父亲为什么会把我逼到蒙娜丽莎面前，并且给我听交响乐?我想这是那种叫做命运的东西。到了27岁，我才敢向他提起这个问题(以前我甚至怕提到这个女人的名字)。他说肖邦是好东西，当我号啕大哭，他就是要把我一个人关在屋子里听肖邦。那时周围没有人家像我们一样拥有唱机和电

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问题    父亲为什么会把我逼到蒙娜丽莎面前，并且给我听交响乐?我想这是那种叫做命运的东西。到了27岁，我才敢向他提起这个问题(以前我甚至怕提到这个女人的名字)。他说肖邦是好东西，当我号啕大哭，他就是要把我一个人关在屋子里听肖邦。那时周围没有人家像我们一样拥有唱机和电视机，那时肉、布、油等物品还在实行配给制，那时周围有很多邻居还靠到菜场拣菜叶过生活，而我们是这幢楼里惟一的知识分子家庭，父亲认为我应该感到幸运。
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答案 Why did father push me in front of Mona Lisa, and make me listen to symphonic music? I guess that’s the thing called fate. I was 27 before I dared ask him this question (before I was afraid to even mention that woman’s name). He said Chopin is good for you. Whenever I would burst into tears, he would close me up alone in the room and make me listen to Chopin. Back then, no one nearby had a record player and TV like tls. Meat, cloth, cooking oil and such goods were still rationed. Many of our neighbors had to rely on left-over greens they scooped up at the market to get by. But we were the only family of’ intellectuals in the building, and father reckoned I should feel fortunate.
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