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  3. Music is the result of thought in the form of attitude. There is no one way of thinking, since men’s values are as scattered and

Music is the result of thought in the form of attitude. There is no one way of thinking, since men’s values are as scattered and

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问题     Music is the result of thought in the form of attitude. There is no one way of thinking, since men’s values are as scattered and dissimilar as individual men themselves. If black music can be seen as the result of certain attitudes, certain specific ways of thinking about the world, then my basic hypothesis about music is understood. The black man’s music changed as the changed, reflecting shifting attitudes or consistent attitudes within changing contexts. It is why the music changing seems most important to me.
    When jazz first began to appear on the American scene during the twenties, in one form or another, it was introduced in many instances by white Americans. Yet its original conception and its most vital development were the result of certain attitudes, or experiential ideas, attributable to the Afro-American culture. Jazz as played by white musicians was not the same as that played by black musicians nor was there any reason for it to be. The music of the white jazz musician was, at its most profound, a learned art.
    The blues, for example, which I take to be an independent black music, was practically ignored in pre-jazz white American culture. Blues is an extremely important part of jazz. However, the way in which jazz utilizes the blues "attitude" provided a musical analogy the white musician could understand, and thus he could arrive at a style of jazz music. The white musician understood the blues first as music, but seldom as an attitude, since the attitude of the white musician was necessarily quite a different one. And in many cases, it was not consistent with the making of jazz.
    Thus, the trumpets(小号)of Bix Beiderbecke and Louis Armstrong were very dissimilar. The white middle-class boy from Iowa was an inborn intellectual and had an emotional life that was based on his conscious or unconscious disapproval of most of the custom of his culture. On the other hand, Armstrong was, in terms of an emotional model, an honored priest of his culture. He was not rebelling against anything with his music. The incredible irony of the situation was that both stood in similar places in the superstructure of American society: Beiderbecke, because of his isolation and departure from mass culture; and Armstrong, because of the socio-historical separation of the black man from the rest of American.
The tone of the author’s discussion of the blues is ______.
选项 A、indifferent
B、appreciative
C、curious
D、uncertain
答案B
解析 问作者的观点态度的题最好回原文查看作者在提到该事物时所使用词的感情色彩。在文中第三段作者提到布鲁斯时的词有：independent，extremely important part of等褒义词，所以可知他对布鲁斯持赞赏态度。A)curious“漠不关心的”；C)indifferent“好奇的”；D)uncertain“不确定的”。
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