首页
外语
计算机
考研
公务员
职业资格
财经
工程
司法
医学
专升本
自考
实用职业技能
登录
外语
The test of a great book is whether we want to read it only once or more than once, and every additional time that we read it we
The test of a great book is whether we want to read it only once or more than once, and every additional time that we read it we
admin
2010-07-19
15
问题
The test of a great book is whether we want to read it only once or more than once, and every additional time that we read it we find new meanings and new beauties in it. A book that a person of education and good taste does not care to read more than once is quite possibly not worth much. Some time ago there was a discussion going on regarding the art of the great French novelist, Zola; some people claimed that he possessed absolute genius; others claimed that he had only talent of a very remarkable kind. The argument brought out some strange extravagances of opinion. But suddenly a very great critic simply posed this question: "How many of you have read, or would care to read, one of Zola’s books a second time?" There was no answer; probably no one would read a book by Zola more than once. The fact was settled. "
Shallow or false any book must be, that, although bought by a hundred thousand readers, is never read more than Once. But we cannot consider the judgment of a single individual infallible. The opinion that makes a book great must be the opinion of many. For even the greatest critics are apt to have certain dullness, certain inappreciations. Carlyle, for example, could not endure Browning; Byron could not endure some of the greatest of English poets. A man must be many-sided to utter a trustworthy estimate of many books. We may doubt the judgment of the single critic at times, but there is no doubt possible in regard to the judgment of generations. Even if we cannot at once perceive anything good in a book which has been admired and praised for hundreds of years, we may be sure that by trying, by studying it carefully, we shall at last be able to understand the reason of this admiration and praise. The best libraries for a poor man would be a library composed entirely of such great works.
This, then, should be the most important guide for us in our reading choice. We Should read only the books that we want to read more than once, nor should we buy any others, unless we have some special reasons for so investing money. The second fact is the general character of the value that lies hidden within all such great books: they never become old; their youth is immortal. A great book is not apt to be comprehended by a young person at the first reading except in a superficial way. Only the surface, the narrative, is absorbed and enjoyed. No young man can possibly see at first reading the qualities of a great book. Remember that it has taken humanity, in many cases, hundreds of years to discover all that there is in such a book. But according to a man’s experience of life, the text will unfold new meanings to him. The book that delighted us at eighteen, if it be a good book, will delight us much more at twenty-five, and it will prove like a new book to us at thirty years of age. At forty we shall reread it, wondering why we never saw how beautiful it was before. At fifty or sixty years of age the same facts will repeat themselves. A great book grows exactly in proportion to the growth of the reader’s mind. It was the discovery of this extraordinary fact by generations of people long dead that made the greatness of such works as those of Shakespeare, of Dante, or of Goethe. Perhaps Goethe can give us at this moment the best illustration. He wrote a number of little stories in prose, which children like, because to children they have all the charm of fairy-tales. But he never intended them for fairy-tales; he wrote them for experienced minds. A young man finds very serious reading in them; a middle-aged man discovers an extraordinary depth in their least utterances and an old man will find in them all the world’s philosophy, all the wisdom of life.
What may the author think of the art of the great French novelist, Zola?
选项
A、There is no great genius in his works.
B、It has been settled that Zola’s works are indisputable.
C、He possesses absolute genius.
D、There has been an exaggeration about his works.
答案
A
解析
本文第一句指出评价一本好书的标准是看这本书是否值得反复阅读。接着谈到人们对Zola的作品众说纷纭,但作者在第一段最后两句表明了自己的观点:大概没有人会重读Zola的书(...probably no one would read a book by Zola more than once.)。按照前面提到的评价一本好书的标准,我们可以推断出作者不认为Zola的书是好书,因此正确答案为A。
转载请注明原文地址:https://www.kaotiyun.com/show/BAlO777K
0
专业英语八级
相关试题推荐
Languageswillcontinuetodiverge.EvenifEnglishweretobecometheuniversallanguage,itwouldstilltakemanydifferentfo
Insixteenth-centuryItalyandeighteenth-centuryFrance,waningprosperityandincreasingsocialunrestledtherulingfamilies
PresidentBushhasproposedaddingoptionalpersonalaccountsasoneofthecentralelementsofamajorSocialSecurityreformp
Victoria,theinterviewee,worksasa______.
Victoria,theinterviewee,worksasa______.
TheInternetofthefutureshouldbeaworldwidemarketplacefullyaccessiblebymobilecustomerseverywhere,theleadingnetwor
"Home,sweethome"isaphrasethatexpressesanessentialattitudeintheUnitedStates.Whethertherealityoflifeinthefam
Whichofthefollowingworksexpressedthedesireforanescapefromsocietyandareturntonature?
A、itischeaperandfasterthanordinarymailB、itcansendthingsthatcouldnotbeexpressedbytelexC、itisfasterandnotm
随机试题
癫证多由痰气郁结所致,久则耗伤
可作消毒剂的表面活性剂是
律师建议刘某可向下列单位中的哪些单位索赔()。本案中各方住所地如下:刘某a区,展览厅b区,A公司c区,B公司d县,生产厂e县,刘某可起诉的法院是()。
下列属于企业所得税的纳税人的有()
国家开发银行的贷款主要分为()。
“重要他人”是一个心理学上的名词,意思是在一个人的心理和人格形成的过程中,起过重大影响甚至是决定性作用的人物。谈谈如何利用“重要他人”理论对学生进行教育。
列车途径山区。沿线有许多村庄。附近村民偷盗火车物品的情况严重.作为辖区民警。如果在你的辖区内发生这样的情况。你会怎么办?
RPR支持的数据速率可以达到__________。
有以下程序:voidswap(char*x,char*y){chart;t=*x;*x=*y;*y=t;main(){char*s1="abc",*s2="123";swap(s1,s2);
计算机网络的目标是实现()。
最新回复
(
0
)